DAY 3: 21.10.2017. INTERFERENCE / SMETNJE

Protagonisti iz ovog ciklusa filmova suočeni su s nepremostivim preprekama koje naizgled običan dan pretvaraju u moru.

The protagonists of this round of films are being faced with insurmountable difficulties which at first seem to turn a usual day into a nightmare.

 

The Indigestion / Probavljanje

Mathilde Remy, animirani, 6´, Belgija, 2016.
Mathilde Remy, animation, 6´, Belgium, 2016

Povodom godišnjice bakine smrti organizirana je večera koja je istovremeno i prilika za prikazivanje boli, strahova te poroka unutar obitelji.

A family dinner is organized for the anniversary of the grandmother. This meal is an opportunity to see the anguish, the fears, the wickedness of this family.

Contact: Mathilde Remy
mathrem.29@gmail.com
University Ensav la Cambre

The Transfer / Prijelaz

Michael Grudsky, igrani, 22´, Austrija, 2017.
Michael Grudsky, fiction, 22´, Austria, 2017

Erez, izraelski ovlašteni časnik, zajedno s dvojicom vojnika dobiva naredbu o preseljenju zatvorenika u Megiddo zatvor. Putem nastaje konflikt koji natjera mladog časnika da premaši samog sebe u rješavanju situacije.

Erez, an Israeli commissioned officer, and two other soldiers have been ordered to transfer a prisoner to Megiddo prison. Along the way, a conflict arises that forces the young officer to surpass himself in order to solve the situation.

Contact: Michael Grudsky
info@kaderflim.de
Kader Filmproduktion in Coproduction with Bayerischer Rundfunk

Who Gives / Koga boli

Lenka Jovanović, igrani, 22´, Srbija, 2016.
Lenka Jovanović, fiction, 22´, Serbia, 2016

Isprepleteni prikazi života četiri prijatelja tijekom jedne noći.

The lives of four friends intertwine during one night.

 

Contact:
Lenka Jovanović
zlazhena@gmail.com
Faculty of Dramatic Arts, University of Art, Belgrade

 

Lunch Time / Ručak

Alireza Ghasemi, igrani, 15´, Iran, 2017.
Alireza Ghasemi, fiction, 15´, Iran, 2017

Šesnaestogodišnjakinja se suočava s odgovornošću i okrutnom birokracijom kako bi identificirala majčino tijelo.

A 16-year-old girl deals with the responsibility and harsh bureaucracy of having to identify the body of her mother.

Contact: Alireza Ghasemi
anarki348@gmail.com
Art University of Tehran